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Aila-familia

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Einstein on the beach
Madama Butterfly-Giacomo Puccini
UNKNOWN RECORDS
Rosenkavalier
DECEMBER 15, 1816 - NEWARK - NEW JERSEY, UNITED STATES
Paris 1857, L’amour
THE AROMA OF COFFEE IS ONE OF THE JOYS OF DAILY LIFE FOR MANY PEOPLE
The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan.
This was due in part to a late completion by Puccini, which gave inadequate time for rehearsals. Puccini revised the opera, splitting the second act in two, with the Humming Chorus as a bridge.
This was due in part to a late completion by Puccini, which gave inadequate time for rehearsals. Puccini revised the opera, splitting the second act in two, with the Humming Chorus as a bridge to what became Act III.
US Navy Lieutenant Pinkerton is stationed in Nagasaki, Japan. He has paid for an arranged marriage with a fifteen-year-old geisha, Cio-Cio-San, known as Madam Butterfly. As the action begins, Pinkerton is with Goro the marriage-broker. A few minutes before the wedding is to take place, the US consul Sharpless arrives. He tells Pinkerton that he is convinced Butterfly is deeply in love. He fears that Pinkerton will destroy her as he does not take the marriage seriously, but regards it merely as a convenience. Pinkerton dismisses his fears but affirms he waits a ’genuine’ marriage to an American woman.
US Navy Lieutenant Pinkerton is stationed in Nagasaki, Japan. He has paid for an arranged marriage with a fifteen-year-old geisha, Cio-Cio-San, known as Madam Butterfly. As the action begins, Pinkerton is with Goro the marriage-broker. A few minutes before the wedding is to take place, the US consul Sharpless arrives. He tells Pinkerton that he is convinced Butterfly is deeply in love. He fears that Pinkerton will destroy her as he does not take the marriage seriously, but regards it merely as a convenience. Pinkerton dismisses his fears but affirms that he waits for the day he will make a ’genuine’ marriage to an American woman.
by Francis Requena
Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila’s italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text.

Each style of the Aila family offers an extended character set specially designed for editorial design projects.

$179
Quick Buy (1-3 CPU Desktop License)

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Technical details & featuresLanguage supportCharacter setIndividual Styles

Technical Details

Open Type Features:
Localized Forms, Small Caps, Caps to Small Caps, Ordinals, Superiors, Old-Style Numerals, Tabular Numerals, Superscript Numerals, Scientific Inferiors, Self-Building Fractions, Kerning, Ligatures, Discretional Ligatures, Slashed zero, Case sensitive forms

Glyph count:
580 Characters.

Language Support:
198 Languages.

Available formats:
OTF, TTF, WOFF 2, WOFF, EOT, SVG.


Language support

Latin based languages of these countries and regiones supported by this type family:

  • Abenaki
  • Afaan Oromo
  • Afar
  • Albanian
  • Alsatian
  • Amis
  • Anuta
  • Aragonese
  • Aranese
  • Aromanian
  • Arrernte
  • Arvanitic
  • Asturian
  • Atayal
  • Aymara
  • Bashkir
  • Basque
  • Bemba
  • Bikol
  • Bislama
  • Bosnian
  • Breton
  • Cape Verdean
  • Creole
  • Cebuano
  • Chamorro
  • Chavacano
  • Chichewa
  • Chickasaw
  • Cimbrian
  • Cofán
  • Corsican
  • Creek
  • Crimean Tatar
  • Croatian
  • Czech
  • Dawan
  • Delaware
  • Dholuo
  • Drehu
  • English
  • Estonian
  • Faroese
  • Fijian
  • Filipino
  • Finnish
  • Folkspraak
  • French
  • Frisian
  • Friulian
  • Gagauz
  • Galician
  • Ganda
  • Genoese
  • Gooniyandi
  • Guadeloupean
  • Creole
  • Gwich’in
  • Haitian Creole
  • Hän
  • Hawaiian
  • Hiligaynon
  • Hopi
  • Hotcąk
  • Hungarian
  • Ido
  • Ilocano
  • Indonesian
  • Interglossa
  • Interlingua
  • Irish
  • Istro-Romanian
  • Italian
  • Jamaican
  • Javanese
  • Jèrriais
  • Kala Lagaw Ya
  • Kapampangan
  • Kaqchikel
  • Karakalpak
  • Karelian
  • Kashubian
  • Kikongo
  • Kinyarwanda
  • Kiribati
  • Kirundi
  • Klingon
  • Kurdish
  • Ladin
  • Latin
  • Latino sine Flexione
  • Latvian
  • Lithuanian
  • Lojban
  • Lombard
  • Maasai
  • Makhuwa
  • Malay
  • Maltese
  • Manx
  • Māori
  • Marquesan
  • Megleno-Romanian
  • Meriam
  • Mir
  • Mohawk
  • Moldovan
  • Montagnais
  • Montenegrin
  • Murrinh-Patha
  • Nagamese Creole
  • Ndebele
  • Neapolitan
  • Ngiyambaa
  • Niuean
  • Noongar
  • Norwegian
  • Novial
  • Occidental
  • Occitan
  • Oshiwambo
  • Ossetian
  • Palauan
  • Papiamento
  • Piedmontese
  • Polish
  • Portuguese
  • Potawatomi
  • Q’eqchi’
  • Quechua
  • Rarotongan
  • Romanian
  • Romansh
  • Rotokas
  • Sami (Inari Sami)
  • Sami (Lule Sami)
  • Sami (Northern Sami)
  • Sami (Southern Sami)
  • Samoan
  • Sango
  • Saramaccan
  • Sardinian
  • Scottish
  • Gaelic
  • Serbian
  • Seri
  • Seychellois Creole
  • Shawnee
  • Shona
  • Sicilian
  • Silesian
  • Slovak
  • Slovenian
  • Slovio
  • Somali
  • Sorbian (Lower Sorbian)
  • Sorbian (Upper Sorbian)
  • Sotho (Northern)
  • Sotho (Southern)
  • Spanish
  • Sranan
  • Sundanese
  • Swahili
  • Swazi
  • Swedish
  • Tagalog
  • Tahitian
  • Tetum
  • Tok Pisin
  • Tokelauan
  • Tongan
  • Tshiluba
  • Tsonga
  • Tswana
  • Tumbuka
  • Turkish
  • Turkmen
  • Tuvaluan
  • TzotzilUzbek
  • Venetian
  • Vepsian
  • Volapük
  • Võro
  • Wallisian
  • Walloon
  • Waray-Waray
  • Warlpiri
  • Wayuu
  • Welsh
  • Wik-Mungkan
  • Wiradjuri
  • Wolof
  • Xhosa
  • Yapese
  • Yindjibarndi
  • Zapotec
  • Zulu
  • Zuni

Character set

This is the list of characters included in the different variants of type family.


Individual Styles